|In Venice Today.com|
|In Venice Today.com|
Danish Pavilion, Denmark at 58th Biennale of Art
The Danish Pavilion, Denmark at the Venice Biennale: the artists of the pavilion, the works, the times, the periods, the cost of the tickets and the exhibition venue.
Danish Pavilion, Denmark at Venice Biennale of Art - Giardini della Biennale, Castello - City of Venice
Exhibition in progress from 11 May to 24 November 2019
The 58th Biennale of Art will open to the public on 11 May 2019. But starting from a few days before the opening there will be the various openings and side events that always suddenly animate the Venetian artistic life. The title of the 58 edition of the Biennale d'Arte is May You Live In Interesting Times.
79 artists are invited to exhibit at the 58th Venice Biennale of Art, with a prevalence of women. Among them the 2 Italians Ludovica Carbotta and Lara Favaretto. The first will make a site-specific work in Forte Marghera, inside the building known as the Austrian Powder Mill.
Go to the page of the 58th Venice Art Biennale
French Pavilion at 58th Biennale Arte of VeniceTitle of the exhibition at Danish Pavilion is Heirloom.
Artist: Larissa Sansour.
Curator: Nat Muller.
Commissioner: The Danish Arts Foundation: Lisette Vind Ebbesen (Chair), Peter Land, Jane Jin Kaisen, Charlotte Fogh and Søren Assenholt.
Web: Padiglione Danese
For the Danish Pavilion at the 58th International Art Exhibition – La Biennale di Venezia, the Danish-Palestinian artist Larissa Sansour will present Heirloom, an otherworldly rumination on memory, history and identity. Curated by Nat Muller, the exhibition will comprise of a twochannel science-fiction film, a sculptural installation and an architectural intervention, inviting the viewer into a dark universe.
“The film, entitled ‘In Vitro’, is staged in the town of Bethlehem decades after an eco-disaster. The dying founder of a subterranean orchard is engaged in a dialogue with her young successor, who is born underground and has never seen the town she’s destined to replant and repopulate. Inherited trauma, exile and collective memory are central themes.
“The younger woman struggles with her memories of the past, dismissing them as nothing but reductive patterns, tropes and iconography. This is a topic of great interest to me. In my recent work, the negotiation of identity markers and signifiers is a key focus. While these aim to erect the pillars of a shared understanding, they also tend to rid the notions they emphasise of any significance, eventually rendering them meaningless.
“The sculptural installation takes a psychological object from the film and recreates it as a large-scale monument. It further explores the protagonist’s trauma and converts it to a physically imposing fact.”
The interplay between fiction and reality, the ever-evolving merger of myth and history, is a recurring theme in Sansour’s art. As curator Nat Muller explains: “Science fiction becomes a vehicle in which imaginaries and future scenarios can be challenged and tested, and in which individual narratives and personal experiences intertwine with collective ones; it becomes a place and time in which remembrance and forgetfulness compete, and where the past, the present, and even the future, might be dispossessed. Nevertheless it is also is a realm of possibility, of alternative world-making, if not radical alterity.”
The film ‘In Vitro’ is directed with Søren Lind and features the internationally-renowned Palestinian actors Hiam Abbass and Maisa Abd Elhadi. It was filmed in Bethlehem, London and Oxfordshire. Larissa Sansour was born in 1973 in East Jerusalem. She studied Fine Art in Copenhagen, London and New York. Her work is interdisciplinary and uses film, photography, installation and sculpture. Sansour has had several major solo shows internationally – most recently at Dar El-Nimr in Beirut. Her work ‘In the Future They Ate from the Finest Porcelain’ has been shown in Liverpool, Rome, Cardiff, Copenhagen, Nottingham, Dubai, Madrid and London, while her ‘Nation Estate’ exhibition has been shown in Rome, Jerusalem, Copenhagen, Wolverhampton, Turku and Paris. Sansour lives and works in London.
Nat Muller is an independent curator and writer based between Birmingham and Amsterdam.
She has published widely on the topic of contemporary art and has edited a variety of monographs. Recent exhibition projects include Spectral Imprints for the Abraaj Group Art Prize in Dubai (2012); This is the Time. This is the Record of the Time at Stedelijk Museum Bureau Amsterdam & American University of Beirut Gallery (2014/15); the A.M. Qattan 2016 Young Artist of the Year Award at Qalandiya International in Ramallah. She is an AHRC-funded PhD candidate at Birmingham City University researching science fiction in contemporary visual art from the Middle East.
Hours: Gardens from 10.00 to 18.00. Arsenale from 10.00 to 18.00 (from 10.00 to 20.00 on Friday and Saturday until September 30th). Closed on Mondays (except May 13, September 2, November 18).
Tickets: please visit the official website. On the web € 21.50 until 31 March 2019.
Phone: +39.041.5218711; fax +39.041.5218704
Web: Biennale of Venice