|In Venice Today.com|
|In Venice Today.com|
Dutch Pavilion at 58th Venice Biennale of Art
The Dutch Pavilion of the Venice Biennale: the artists of the pavilion, the works, the times, the periods, the cost of the tickets and the exhibition venue.
Dutch Pavilion at Venice Biennale of Art - Biennale's Gardens, Castello - Venice
Exhibition in progress from 11 May to 24 November 2019
The 58th Biennale of Art will open to the public on 11 May 2019. But starting from a few days before the opening there will be the various openings and side events that always suddenly animate the Venetian artistic life. The title of the 58 edition of the Biennale d'Arte is May You Live In Interesting Times.
79 artists are invited to exhibit at the 58th Venice Biennale of Art, with a prevalence of women. Among them the 2 Italians Ludovica Carbotta and Lara Favaretto. The first will make a site-specific work in Forte Marghera, inside the building known as the Austrian Powder Mill.
Go to the page of the 58th Venice Art Biennale
Dutch Pavilion at 58th Biennale Arte of VeniceTitle of the Venice Biennale's Dutch Pavilion is The Measurement of Presence.
Artists: Iris Kensmil, Remy Jungerman.
Curator: Benno Tempel.
Commissioner: Mondriaan Fund.
Seat: Gardens, Castello - Venice
Press Release Dutch Pavilion of 58th Venice Biennale of ArtRemy Jungerman (b. 1959) and Iris Kensmil (b. 1970) are representing the Netherlands at the 58th International Art Exhibition – La Biennale di Venezia. The Measurement of Presence brings together influences from different backgrounds.
In their work Jungerman and Kensmil combine the inspiration they draw from twentieth-century modernism, particularly Mondrian and De Stijl, the Russian avant-garde and artist stanley brouwn, with elements of other traditions and perspectives.
IRIS KENSMIL depicts in her work an inclusive history from a Black feminist perspective. She honours Black authors, philosophers, activists and musicians, and, in general, the Black counter-movement that is an undeniable part of modernity. She connects the utopian thinking of modernism with Black female intellectuals whose work offers its own perspective on modernity and the future.
In collaboration with The Black Archives, Kensmil researched Black female utopians, focusing mainly on the Caribbean, the US, and Europe. This research resulted in seven portrait paintings in The New Utopia Begins Here #1, namely iconic Black feminist bell hooks, the Pan-Africanist Amy Ashwood Garvey, DJ and singer Sister Nancy, journalist and activist Claudia Jones, communist and activist for Surinamese independence Hermina Huiswoud, anti-colonial writer, surrealist Suzanne Césaire and feminist science-fiction novelist Octavia E. Butler.
The abstract composition of this mural is continued in The New Utopia Begins Here #2, in which Kensmil integrates the portrait of writer and activist Audre Lorde. In a third installation, Beyond the Burden of Representation, Kensmil reflects on the position of a number of artists who take a clear position to protect their authenticity and the interpretation of their work, such as stanley brouwn. In this work, she shows paintings of exhibitions of these artists.
In his work, REMY JUNGERMAN brings together motifs from Africa, from Maroon culture (including elements from the Winti religion, a traditional Afro-Surinamese religion) and from 20th century modernism. He is interested in the path travelled by patterns and motifs, and its influence on visual art.
For the pavilion in Venice, Jungerman will create two large-scale installations: Promise IV and Visiting Deities, in which he intends to bring together the strength of the forefathers of the greater Dutch world – ancestors from the Netherlands, Suriname, Indonesia and elsewhere – with the aim of connecting the various cultures and entering into a future-oriented, open conversation.
The size and rhythm of his installations are determined by the joining of various sources, such as Winti, Gerrit Rietveld and stanley brouwn.
During 2018 Jungerman lived in New York, a city with a dual meaning for him. It is the city where Piet Mondrian, an artist that is of great importance to Jungerman, found refuge in 1940. At the same time New York is the place where in 1674 the Dutch traded Suriname with the British. In a bilateral negotiation they made a deal to swap conquered land: New Amsterdam became New York, and Suriname passed from British into Dutch hands and became a Dutch colony.
For Jungerman, living in this city in preparation for the Biennale gave him the perfect setting in which to think about the subject of measurement and globalization.
Hours: Gardens from 10.00 to 18.00. Arsenale from 10.00 to 18.00 (from 10.00 to 20.00 on Friday and Saturday until September 30th). Closed on Mondays (except May 13, September 2, November 18).
Tickets: please visit the official website. On the web € 21.50 until 31 March 2019.
Phone: +39.041.5218711; fax +39.041.5218704
Web: Biennale of Venice