|In Venice Today.com|
|In Venice Today.com|
Brazilian Pavilion, Brazil at 58th Biennale of Art
The Brazilian Pavilion, Brazil at the Venice Biennale: the artists of the pavilion, the works, the times, the periods, the cost of the tickets and the exhibition venue.
Brazilian Pavilion, Brazil at Venice Biennale of Art - Giardini della Biennale, Castello - City of Venice
(Photo: movie still from "Estas vendo coisas", by Bárbara Wagner & Benjamin de Burca, 2016)
Exhibition in progress from 11 May to 24 November 2019
The 58th Biennale of Art will open to the public on 11 May 2019. But starting from a few days before the opening there will be the various openings and side events that always suddenly animate the Venetian artistic life. The title of the 58 edition of the Biennale d'Arte is May You Live In Interesting Times.
79 artists are invited to exhibit at the 58th Venice Biennale of Art, with a prevalence of women. Among them the 2 Italians Ludovica Carbotta and Lara Favaretto. The first will make a site-specific work in Forte Marghera, inside the building known as the Austrian Powder Mill.
Go to the page of the 58th Venice Art Biennale
Brazilian Pavilion at 58th Biennale Arte of VeniceTitle of the exhibition at Brazilian Pavilion is Swinguerra.
Artists: Bárbara Wagner & Benjamin de Burca.
Curator: Gabriel Pérez-Barreiro.
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Seat: Biennale's Gardens
The Fundação Bienal de São Paulo, the Ministry of Culture and the Ministry of Foreign Affairs are announcing Gabriel Pérez-Barreiro as curator of the Brazilian participation at the 58th Venice Biennale, in 2019. To represent Brazil at the world’s oldest art biennial, Pérez-Barreiro — curator of the 33rd Bienal de São Paulo — selected the artist duo Bárbara Wagner & Benjamin de Burca, who will develop a film commissioned for the occasion.
“The promotion of Brazil’s artistic and cultural wealth abroad is a key concern for the Ministry of Culture; the joint effort by the Ministry of Foreign Affairs, the Ministry of Culture and the Fundação Bienal for the realisation of Brazil’s representation at such a prestigious venue as the Venice Biennale is vital for this,” says Minister of Culture Sérgio Sá Leitão. “The excellence of the exhibitions presented at the Brazilian Pavilion is widely recognised, including its having received an honourable mention at the event’s last edition. And this is only possible through the joint effort of these three institutions, each with their own specific missions, yet coming together in the same project.”
João Carlos de Figueiredo Ferraz, president of the Fundação Bienal, explains that “the appointment of Gabriel Pérez-Barreiro is due to the wide knowledge the curator has demonstrated about Brazilian art, to his good integration with the Fundação’s team, and to the affinity between the concepts he mobilised at the 33rd Bienal de São Paulo and those proposed for the 58th Venice Biennale.”
The 58th Venice Biennale, May You Live In Interesting Times, alludes to periods of uncertainty, crisis and unrest. The proposal developed by chief curator Ralph Rugoff adopts as a title a phrase in English falsely attributed to a Chinese curse and repeated as such in countless Western political discourses. In the post-truth context of fake news and “alternative facts,” the false curse is an example of how fictional contents can have real political implications.
The work by Wagner & de Burca is related to the overall theme of the Venice Biennale in terms of its commitment with the complex and sometimes conflictive reality of Brazil. “Bárbara Wagner and Benjamin de Burca bring a critical and simultaneously comprehensive view to the enormous plurality of the current moment, pointing to the way in which popular culture absorbs and interprets the images and phenomena of everyday life and the mass media, incorporating them to their own reality,” explains Pérez-Barreiro.
In their production, the duo has focused on aspects of Brazilian popular culture, especially from the state of Pernambuco, which they present based on a generous gaze without stereotypes. Their works deal with a spectrum of cultures ranging from evangelical religion to rap and brega music, seen as manifestations that represent the vast Brazilian cultural diversity. Wagner & de Burca avoid facile dichotomies and relativise the borders between erudite and popular culture, and artistic and journalistic languages.
About Bárbara Wagner & Benjamin de Burca
Bárbara Wagner (Brasília, 1980) and Benjamin de Burca (Munich, 1975) live in Recife, where they have worked as an artist duo since 2011. They develop their works as a collaborative practice together with the characters portrayed, thus presenting them by way of a frank and horizontal approach. The films take the form of musicals that defy the conventions of the genre insofar as the fictional and documentary dimensions become hybrid to instate the third territory of language, in which music and dance catalyse the complex intersections between class, gender, race and religion. The duo’s recent solo shows most notably include Bárbara Wagner & Benjamin de Burca, AGYU (Toronto, 2018); and Aspirations, MOCAD (Detroit, 2017). Their group shows include: FRONT International – Cleveland Triennial (Cleveland, 2018); Corpo a Corpo, IMS (São Paulo, 2017, and Rio de Janeiro, 2018); Berlinale Shorts (Berlin, 2017 and 2018); Panorama de Arte Brasileira (São Paulo, 2017 and 2013); Prêmio PIPA, MAM (Rio de Janeiro, 2017), on which occasion they were announced as the Pipa Prize winners; Skulptur Projekte (Münster, 2017); and the Bienal de São Paulo (2016). In 2019, Wagner & de Burca will have solo shows at Stedelijk Museum in Amsterdam and at Museo Tamayo in Mexico City.
About Gabriel Pérez-Barreiro (La Coruña, Spain, 1970. Lives in New York, USA)
Curator of the 33rd Bienal de São Paulo and of Brazil’s official representation at the 58th Venice Biennale. Holds a PhD in history and theory of art from the University of Essex (United Kingdom) and a master’s in art history and Latin American studies from the University of Aberdeen (United Kingdom). Director and chief curator of Colección Patricia Phelps de Cisneros (New York and Caracas) since 2008, he was the curator of Latin American Art at Blanton Art Museum of the University of Texas in Austin (2002–2008), chief curator of the 6th Bienal do Mercosul in Porto Alegre (2007), and director of Visual Arts of the Americas Society in New York (2000–2002). In 2018 he was co-curator, with Michelle Sommer, of an exhibition dedicated to critic Mario Pedrosa at the Museo Nacional de Arte Reina Sofía, in Madrid.
About the Brazilian participation at the 58th Venice Biennale
That the Fundação Bienal was given the responsibility to produce Brazil’s official representations at the Venice Biennale is the outcome of a long-standing partnership with the Ministry of Culture and the Ministry of Foreign Affairs. These two ministries, responsible for the promotion of the politics of Brazil’s cultural interchange, have conferred to the Fundação Bienal the responsibility to appoint the curator for the Venice Biennale and to conceive and produce the exhibitions there, in recognition of the excellence of its work in the artistic-cultural field. Organised with the aim of promoting Brazilian artistic production at the most traditional art event in the world, the exhibitions are held in the Brazilian Pavilion, built in 1964.
Hours: Gardens from 10.00 to 18.00. Arsenale from 10.00 to 18.00 (from 10.00 to 20.00 on Friday and Saturday until September 30th). Closed on Mondays (except May 13, September 2, November 18).
Tickets: please visit the official website. On the web € 21.50 until 31 March 2019.
Phone: +39.041.5218711; fax +39.041.5218704
Web: Biennale of Venice