CHURCH
OF REDENTORE
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Sestiere
of Dorsoduro,
Giudecca,
XVI sec.
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Between the 1575 and the 1577
plague killed almost fifthy thousands people in Venice; the fourth
of September 1576 Serenissima's senate decided to build a church dedicated
to the Redeemer and the first stone was laid the third of May 1577.
This church dominates the Giudecca's view and results to be a Palladio's
thought about the entire classical architecture of the Renaissance,
the attempt of join the Cristian Church with all the elements of a classical
temple. A classical pediment dominates the facade and a stair, as wide
as the dome's diameter (that is the unit of the entire building) symbolizes
through its fifteen steps the ascent to the Jerusalem's temple.
Interior, having a longitudinal plan, is perfect to be used for processions:
a main nave with deep lateral chapels, covered with a barreil vault
and lightened by windows; a wide presbitery joined to the nave through
a big arch and finally a rectangular choir. Dedicated to the events
of Jesus's life are the paintings kept in the chapels: a Nativitą
di Gesł Cristo and La Resurrezione by Francesco da Ponte
are in the first altar on the right handside and on the second altar
on the left handside. Trasporto di Cristo al Sepolcro by Jacopo
Palma il Giovane kept on the third altar on the left handside is a work
dates back to 1600. Two paintings by Domenico Tintoretto (1588) with
the Flagellazione di Cristo and L'ascensione di Cristo,
but maybe, the most suggestive work is Madonna con Bambino e due
angeli musicanti by Alvise Vivarini, kept as a jewel in a really
precious wood's frame. This work, painted in the 1500 belongs to the
last phase of the painter's activity, when he had already received the
influences by Mantegna and Giovanni Bellini.
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Points
of interest to visit
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